Las óleos de todo Louis Anquetin
|
|
|
|
|
|
ID |
Image |
Painting (From A to Z) |
Details |
|
54167 |
|
Avene de Clicky-five o-clock in the Evening |
mk235
1887
Oil on canvas
69x53.5cm
|
|
11668 |
|
Child's Profile and Study for a Still Life |
1' 11 1/4'' x 1' 4 1/4'' (59 x 41 cm)Gift of Paul Adry ,1936 |
|
54192 |
|
Girl Reading a Newsapaper |
mk235
1890
Oil on canvas
54x43.5cm
|
|
54193 |
|
In the Theatre Foyer |
mk235
1892
Oil on canvas
|
|
58207 |
|
Louis Anquetin, Reading women |
Louis Anquetin, Reading women (1890) |
|
45916 |
|
On target of the horse race |
mk178
around 1898-1899 watercolor on wood 26x53cm |
|
|
| Louis Anquetin
|
| 1861-1932,French painter. He came to Paris in 1882 and studied art at the Ateliers of Bonnat and Cormon, where he was a contemporary and friend of Henri de Toulouse-Lautrec, Emile Bernard and Vincent van Gogh. His early work shows the influence of Impressionism and of Edgar Degas. In 1887 Anquetin and Bernard devised an innovative method of painting using strong black contour lines and flat areas of colour; Anquetin aroused much comment when he showed his new paintings, including the striking Avenue de Clichy: Five O'Clock in the Evening (1887; Hartford, CT, Wadsworth Atheneum) at the exhibition of Les XX in Brussels and at the Salon des Independants in Paris in 1888. The new style, dubbed Cloisonnisme by the critic Edouard Dujardin (1861-1949), resulted from a study of stained glass, Japanese prints and other so-called 'primitive' sources; it was close to the Synthetist experiments of Paul Gauguin and was adopted briefly by van Gogh during his Arles period. Anquetin's works were shown alongside Gauguin's and Bernard's at the Caf? Volpini exhibition in 1889,
|
|
|
|
Sweden Wholesale Oil Paintings, Stretcher Bars, Picture Frames & Beveled Mirrors
|
|
|
